Marvel Studios / Sony Pictures
Starring Tom Holland (Peter Parker / Spider-Man), Zendaya (Michelle Jones-Watson), Jacob Batalon (Ned Leeds), Jon Bernthal (Frank Castle / The Punisher), Mark Ruffalo (Bruce Banner / The Hulk), Florence Pugh (Yelena Belova / Black Widow), and Michael Mando (The Scorpion), with Sadie Sink
SPIDER-MAN: BRAND NEW DAY
Directed by Destin Daniel Cretton
Produced by Kevin Feige and Amy Pascal
Written by Chris McKenna and Erik Sommers
Music by Michael Giacchino
Distributed by Sony Pictures
Run Time: 2 hours and 28 minutes
World Premier: July 31, 2026, in the United States
Opening Weekend Box Office: Still Being Calculated (North America)
Worldwide Box Office: Still Being Calculated
Rotten Tomatoes Score: 91%
Marvel Studios / Sony Pictures
Fun Spider-Man: Brand New Day Facts
Spider-Man: Brand New Day is the fourth MCU Spider-Man film produced by Marvel Studios with Sony Pictures. Peter Parker / Spider-Man made his MCU debut in 2016’s Captain America: Civil War, portrayed by Tom Holland. From there, Holland would reprise his MCU role as Parker / Spider-Man in Spider-Man: Homecoming (2017), Avengers: Infinity War (2018), Avengers: Endgame (2019), Spider-Man: Far From Home (2019), and Spider-Man: No Way Home (2021).
Destin Daniel Cretton, who directed 2021’s Shang-Chi and the Legend of the Ten Rings for Marvel Studios was hired to direct Spider-Man: Brand New Day, replacing Jon Watts, who directed the first three MCU Spider-Man films: Spider-Man: Homecoming (2017), Spider-Man: Far From Home (2019), and Spider-Man: No Way Home (2021). Cretton also co-created Wonder Man (released in 2026) for Marvel Television and had originally been hired to direct Avengers: The Kang Dynasty, which was initially set to be a pivotal part of Marvel Studios’ Multiverse Saga before Kevin Feige and his team decided to pivot to Doctor Doom as the Saga’s Big Bad over the much-hyped Kang the Conqueror in the Summer of 2024. Avengers: The Kang Dynasty was abandoned in favor of Avengers: Doomsday and Destin Daniel Cretton was handed the reigns of Spider-Man: Brand New Day.
In February 0f 2025, it was confirmed that filming on Spider-Man: Brand New Day would commence over the Summer. The following month, the casting of Sadie Sink was confirmed, though her character identity was cloaked in mystery. In the Spring, the Brand New Day title was confirmed; a title inspired by the Spider-Man comic book run of the same name written by Dan Slott. All involved insisted the title was appropriate, as the fourth MCU Spider-Man film was intended to represent a “fresh start” … a rebirth … something completely new for the character.
In August of 2025, Jon Bernthal was confirmed to be reprising his MCU role of Frank Castle / The Punisher in Spider-Man: Brand New Day. Bernthal previously appeared as The Punisher in the Original Version of Marvel Television’s Daredevil: Season Two (2016) series that originally aired on Netflix and then appeared in that same version of Marvel Television’s The Punisher: Season One (2017) and The Punisher: Season Two (2019). From there, Charlie Cox’s Matt Murdock / Daredevil, who starred in Daredevil on Netflix, crossed over into the Marvel Cinematic Universe in 2021’s Spider-Man: No Way Home, sharing a scene with Tom Holland’s Peter Parker, Jon Favreu’s Happy Hogan, and Marissa Tomei’s Aunt May. The Marvel TV Netflix shows were officially confirmed as MCU cannon just before the release of 2024’s Echo on Disney+, produced by Marvel Studios. That series featured appearances by Charlie Cox’s Daredevil as well as Vincent D’Onofrio’s Wilson Fisk / Kingpin, also prominently featured in the now former Marvel Netflix series. Jon Bernthal appeared as Frank Castle one year later in the revived Marvel Television’s Daredevil: Born Again series on Disney+ which also starred Cox and D’Onofrio and was followed up on by a The Punisher Marvel Special Presentation series titled The Punisher: One Last Kill on Disney+. Jon Bernthal’s reprisal of his role as Frank Castle in Spider-Man: No Way Home marks the second MCU jump by a major Marvel character from the small screen of Netflix to the big screen of MCU movies, following Charlie Cox’s lead. The Punisher’s appearance in a Spider-Man film is one that is widely celebrated due to the fact that Frank Castle first appeared in the Marvel comics in The Amazing Spider-Man # 129 in February-1974 as an adversary of Spider-Man.
Marvel Studios / Sony Pictures
The release of Spider-Man: Brand New Day marks the 10th Anniversary of Tom Holland’s Peter Parker / Spider-Man debuting within the Marvel Cinematic Universe in Captain America: Civil War. During that time, Sony Pictures has made several movies based off Spider-Man characters without Spider-Man appearing in them (sans a post-credits scene in Venom: Let There Be Carnage that featured a photo of Holland as Spider-Man). In total, Sony made the following films: Venom (2019), Venom: Let There be Carnage (2021), Morbius (2022), Madame Web (2024), Venom: The Last Dance (2024), and Kraven the Hunter (2024). The Venom films grossed a combined $1.8 billion, but the other movies were far less successful (Mobius with $167 million, Madame Web with $100 million, and Kraven with $62 million). All six of these Sony films were meant to exist in one Universe, and there were a couple of uninspired cases to bring Sony’s Universe together with the MCU. The most notable one was the sequence from Let There Be Carnage that transported Eddie Brock and Venom to Earth-616. The other was Michael Keaton’s Adrian Toomes arrival into the Sony Universe in a Morbius credits scene. Ultimately, Eddie and Venom were only in the MCU long enough to drink at a bar and talk about aliens while the Vulture thing was never followed up on by Sony. So, these worlds do exist in the same Marvel Cinematic Multiverse, but the Box Office bombs of Madame Web and Kraven combined with their critical failures (Venom: 31%, Venom Let There Be Carnage: 58%, Mobius: 15%, Madame Web: 10%, Venom: The Last Dance: 40%, and Kraven the Hunter: 15% all based on their Rotten Tomatoes score) led Sony to an announcement in early-2026, that they would no longer be expanding the Shared Universe that launched in 2018. This probably dashes hopes from fans of seeing Tom Holland’s Peter Parker share the screen with Tom Hardy’s Venom unless Kevin Feige can pull a rabbit out of his hat for Avengers: Secret Wars. In the meantime, Sony will be releasing the continuously delayed animated film Beyond the Spider-Verse in 2017; the third film in what has been a critically acclaimed franchise (Into the Spider-Verse: 93% and Across the Spider-Verse: 95%).
The first trailer for Spider-Man: Brand New Day was released on March 18, 2026, showing Peter Parker having trouble with the fact that his friends (by his choice) had moved forward without him along with a lot of action shots featuring The Punisher and The Scorpion. The trailer also showed Tom Holland’s Peter Parker meeting with Mark Ruffalo’s Bruce Banner to discuss some kind of a metamorphosis that Peter is going through. The Spider-Man: Brand New Day trailer amassed one billion views in just 4-days, making it the most-watched trailer of all-time.
Mark Ruffalo’s appearance as Brice Banner / The Hulk in Spider-Man: Brand New Day marks Ruffalo’s landmark 10th MCU appearance as Banner / Hulk following The Avengers (2012), Iron Man 3 (2013), Avengers: Age of Ultron (2015), Thor: Ragnarok (2017), Avengers; Infinity War (2018), Captain Marvel (2019), Avengers; Endgame (2019), Shang-Chi and the Legend of the Ten Rings (2021), and She-Hulk: Attorney at Law (2022). Bruce Banner / The Hulk made his original MCU debut in 2008’s The Incredible Hulk (portrayed by Edward Norton). Though they previously had technically appeared in mutual scenes such as The Battle of Earth and Tony Stark’s funeral in Avengers; Endgame, Spider-Man: Brand New Day marks the official 1st meeting of Tom Hollands’ Peter Parker / Spider-Man and Mark Ruffalo’s Bruce Bammer / The Hulk within the Marvel Cinematic Universe.
In Spider-man: Brand New Day, Florence Pugh reprises her role as Yelena Belova / Black Widow. She debuted as Natash Romanoff’s (adoptive, I guess) sister in 2021’s Black Widow film and reprised her role in 2021’s Hawkeye series on Disney+, and 2025’s Thunderbolts*.
In Spider-Man: Brand New Day, the Department of Damage Control play a significant role. The Government agency formally debuted in 2016’s Spider-Man: Homecoming, founded by Tony Stark. The DODC group have been featured in the following MCU projects since then: Spider-Man: No Way Home, Ms. Marvel, She-Hulk: Attorney at Law, and Wonder Man. The group seems to walk a thin line between good and evil, depending on who is leading it.
In Spider-Man: Brand New Day, the ancient group known as The Hand is represented as a nefarious faction that have pledged their allegiance to the DODC. The Hand were regularly featured in the old version of Marvel Television’s Netflix series’, appearing in Daredevil, Iron Fist, and The Defenders.
In Spider-Man: Brand New Day, Jean Grey makes her MCU 616-debut. A very highly powered mutant, Famke Janssen portrayed a Multiversal Variant of Jean in the FOX films X-Men, X2: X-men United, X-Men: The Last Stand, and Logan. Sophie Turner portrayed a Multiversal Variant of Jean in the FOX films X-Men: Apocalypse and Dark Phoenix. Jean Grey was created by Stan Lee and Jack Kirby, debuting in X-Men # 1 in September 1963.
In Spider-Man: Brand New Day, the suit worn by Tom Holland’s Peter Parker draws in-Universe inspiration from the suits worn by Parker’s Multiversal counterparts portrayed by Tobey Maguire and Andrew Garfield in Spider-Man: No Way Home.
Upon the MCU-616 Timeline, Spider-Man: Brand New Day should be watched after The Punisher: One Last Kill and before Avengers: Doomsday.
Marvel Studios / Sony Pictures
My Spider-Man: Brand New Day Review
Spider-Man: Brand New Day was an epic MCU film that really did feel like the beginning of a new era for Peter Parker within the MCU. The film opens by showing Spidey taking on and taking down several villains with roots in Spider-Man comics, including Tombstone, Boomerang, Tarantula, Ramrod, and The Scorpion (portrayed by Michael Mando in a reprisal of the character that he portrayed in Spider-Man: No Way Home).These are blink-and-you-miss-it cameos that is presented as a montage, to show what Spider-Man has been up to since we last saw him in 2021’s Spider-Man: No Way Home. Basically, Peter Parker has let his duties as Spider-Man take over his life. He has no friends and no family to speak of, and he is consumed by the tortuous absences of MJ and Ned in his life. Peter knows that he did the right thing for the greater good by having Doctor Stramge cast the spell that made everyone forget him, but that’s of little comfort. He deeply misses his Aunt May, and he is not at all pleased with the state of his life. On the bright side, Spider-Man has been warmly embraced by the people of New York as a genuine hero, and he even works closely with Detective Jean DeWolff of the NYPD. For Spider-Man, it’s the best of times but for Peter Parker, it’s the worst of times.
The Department of Damage Control is heavily featured throughout this film. and makes early efforts to work with Spider-Man. The Head of the DODC is Bill Metzger and he reaches out to Spider-Man to help deal with a very dangerous escaped DODC telepath that boasts the power to jump from one person to the next and overtake their minds and bodies … except for Spider-Man, hence Metzger’s interest in working with the Wall-Crawler. Meanwhile, Peter reaches out to Yelena Belova of The New Avengers, who informs Parker that the DODC had suffered several attacks in recent weeks by someone looking for something known on2ly as V-Max, but when Peter questions Metzger over this, he insists that the meaning is a mystery to him.
In short order, Peter decides to covertly visit MJ and Ned and realizes that both of them really have completely forgotten him. MJ has a new boyfriend, but Ned is obsessed with Spider-Man and learning Spidey’s identity. A dejected Peter, having decided that telling them the truth about himself was a bad move, returns home. There, Peter awakens to startling transformations within his body. He is emitting natural webbing from within his body and is suffering from sensory overloads that overwhelm him and result in debilitating headaches, making it extremely hard to concentrate. Nonetheless, he ventures out as Spider-Man and encounters The Scorpion, who had escaped DODC captivity and was actively being controlled by the mystery telepath. Through The Scorpion, the telepath mocks Peter’s bravado, triggering a psychotic break within Peter that takes his frustration and aggression to a new, dangerous level. Spider-Man unmercifully beats the living shit out of The Scorpion, destroying property and a police car, injuring the officer that was behind the wheel. A concerned and a bit frightened Detective DeWolff comforts Peter as best she can while warning Spider-Man that she may not be able to go to bat for him if something like this were to happen again. This was one of my favorite scenes in the movie. Really great stuff.
The frightening changes within himself inspire Peter to reach out to Professor Bruce Banner due to his lengthy battle with the “Other Guy” that we know as The Hulk. Banner shows Peter his inhibiter chip that he created to keep The Hulk at bay and lead a normal, healthy life. Using what he learned from Banner, Peter tweaks the device, hoping it can keep his own evolving monster side at bay with further plans to create an inhibiter that could be used against the mysterious telepath to take away their powers. His next encounter with the telepath is deeply unsettling, as he learns that the telepath has infiltrated his apartment and has read a letter that Peter wrote to MJ, which he never gave her (as seen at the end of Spider-Man: No Way Home). The telepath vows to hurt MJ, daring Spider-Man to try to reach MJ’s apartment before they do. A desperate and terrified Spider-Man climbs in through MJ’s window and orders her to come with him right away and she does. Once settled down and alone on a rooftop,. Peter comforts MJ and takes off his mask. At that point, memories of their time together flood MJ’s mind and she gleefully kisses Peter. Overcome with emotion, Peter’s joy is undone by the realization that the telepath is controlling MJ’s mind and body. In a pretty dark moment, the telepath threatens to throw MJ’s body from the rooftop. Peter saves, her, but he is physically and mentally a mess.
With nowhere to turn, Peter reaches out to Frank Castle, the vigilante known as The Punisher, with whom he’d had an off-screen encounter with previously on Statton Island (wish we could’ve seen that! Castle begrudgingly takes Peter and MJ in, and this is such a wonderful scene with Frank and Spider-Man taking personal jabs at each other and MJ completely refusing to feel intimidated by Frank, which was very true to her MCU character. As the night progresses, Peter keeps his mask on but engages in friendly conversation with the love of his life, going so far as to describe the unnamed girl that has his heart to the girl that still does, with her not realizing that they are one and the same. Having successfully finished his work on the inhibiter that he intended to use of the telepath, Spider-Man ventures out to try and track-down the telepath, who, with remote help from Yelena, Peter discovers is a young girl named Jean Grey! Peter leaves alone, but MJ encourages Frank to help Spider-Man, and he suits up to do just that!
Marvel Studios / Sony Pictures
The Department of Damage Control headquarters is once again targeted by Jean. Spider-Man arrives to confront her, only to lean that Jean has taken over the body and mind of Bruce Banner, forcing a Hulk transformation the likes of which we haven’t seen in the MCU. The Hulk quickly emergers from the “Professor Hulk” personality into a gigantic, rage-fueled Savage Hulk! Spider-man frantically fights The Hulk and The Punisher soon arrives to lend a hand, shooting at The Hulk almost constantly, but unable to even slow him down. There’s a great Hulk-Clap sequence before the Green Goliath willingly free falls from the building. He of course, survived the fall and reverted back to Banner. Bruce was gravely concerned over what had transpired during his black-out, and the incident gained multiple headlines. For Banner, this was his first such incident since Wanda Maximoff took possession of his mind in 2015’s Avengers: Age of Ultron. Meanwhile, Jean is saddled with the inhibiter chop and is taken into custody by Damage Control.
Back at Frank Castle’s place, Peter discovers that MJ has read the letter that he’d written for her and wants answers. Peter comes clean and tells her all of feelings and all of the why’s as to why what happened, happened, all while exclaiming his deep love for her … However, MJ does not reciprocate. She insists that while everything that Peter has said sound sweet and moving, she doesn’t remember any of it, so its foreign to her. She is not in love with Spider-Man or Peter Parker, and she doesn’t think that she could ever be. Gut-wrenching stuff for Peter here. Nonetheless, MJ asks Spider-Man to swing her home and readily agrees. Once there, however, she suggests that Spider-Man go upstairs and hang out with his biggest fan. In a really moving scene. a masked Peter readily answers all of Ned’s questions and builds a Lego set with him, and the two old friends bons as if no time has passed at all! In conversing with MJ, who states that she has no recollection of what happened while she was possessed by the telepath, Peter realizes that Metzger had been lying to him and races out to confront him. Reaching out to Yelena once again, Peter learns through Yelena and redacted DODC files that Jean has a sister named Sara and that the only clue pertaining to her is V-Max. So, we are right back there again!
In the meantime, Metzger is already conducting tests on Jean, who quickly deduces that “V-Max” is the last thing that her sister Satra saw while in DODC custody; a sticker on the air vent in the room that Sara was kept in by the DODC; a room that Jean now finds herself in. Realizing that her sister was dead, a furious Jean violently lashes out, releasing a power increase that she never knew she had and that the DODC never accounted for. Jean’s psionic release encapsules a huge portion of the New York City populace, relegating them frozen in their tracks. She is beyond hurt and beyond angry and she now just wants some sort of justice that she will never have, regardless of how many people she tortures.
Spider-Man cautiously prepares to confront Jean and try to reason with her, but Jean overtakes the minds of Damage Control’s subserviant Hand Ninja’s, leading to a breathtaking showdown between Spider-Man and The Hand. Allowing his monstrous side to emerge, Peter decisively rips through the Ninja’s, but in a moment that I really appreciated, he took the time to pause and exclaim how cool the Ninja’s were! Great stuff.
With The Hand Ninja’s defeated (in what really is an incredible action sequence), Peter opens his mind up to Jean, and oh my God, what does she see? Freaking Aunt May! This is when I get so dumb about this stuff! I started bawling as Jean witnesses the deep and sincere love that Morissa Tomei’s May Parker had for all of humanity and most specially for her nephew. “When you help someone, you help everyone.” Jean is deeply moved by this experience, and as she and Peter begin to come to an understanding, Frank Castle, in sniper position, fires a direct shot at Jean, only for Peter to move himself between Jean and the bullet, saving her life. Peter is critically injured and rushed away to the hospital. There, Frank sits by his side for hours on end until Peter comes out of his coma. This was the first time that Frank had ever seen Spider-Man’s true face, and he humbly apologizes to the young, fallen hero that has earned his respect, for having shot at him, while informing Peter that Jean had used her powers to keep him alive as his body recovered.
In what was one of my unabashed favorite sequences in the movie, The Punisher dons the Spider-Man mask and distracts the masses from a hospital window, while Peter makes a quiet escape from the hospital. As Peter leaves though, he is taken aback by the incredible amount of support for Spider-Man from the residents of NYC that had gathered outside of the hospital to pledge their support for Spider-Man. My goodness, Jon Bernthal was so very good here, as was Tom Hollsnd, and once again, I’m a big nerd caught up in the emotion of Peter making eye contact with a small child and exchanging the web-sooter pose. I swear, I could see my little boy in that kid. He is a young adult now, but the first hero to ever capture his mind was Spider-Man, and I was taken back 15-years in an instance. So, yeah, I’m crying again, as this was just incredibly moving stuff and a nice scene that paralleled the sequence in No Way Home with Peter walking through a hostile crowd after being outed as Spider-Man. Just really cool to see Peter Parker get a win after what he’s been through in these movies.
Moving on, Jean Grey has left New York and Metzger has disappeared while the DODC finds themselves under investigation. In another tearjerking scene, Peter introduces himself to Ned, who doesn’t know him, but Peter than performs their scared handshake with Ned, which I would like to think inspires Ned to become best friends with this stranger. Oh, the stories that Peter has to tell Spider-Man’s biggest fan!
There is one post-credits scene in Spider-Man: Brand New Day which sees Ned’s Spidey Tracker app locate Spider-Man in what appears to be somewhere in Outer Space.
Marvel Studios / Sony Pictures
This was a great film for MCU fans to appreciate and a great film for Spider-Man fans to appreciate as well! The Homecoming trilogy really does feel like a thing of the past. We got to see Peter Parker go through all of these growing pains and learning experiences as a High School student in the three films that preceded this, but Brand New Day brings Parker into young adulthood with more mature themes and some very high stakes. In praising this film, I have to just say that this really felt like a Marvel comic book come to life, in that you just didn’t know who would pop-up when, and when they did, it felt like such a treasure! Yelena Belova interacting with Spider-Man? Amazing! Spider-Man fighting The Hulk? Incredible! Hulk vs Punisher? OMG! SO good!
The action beats in this film are among the best that Marvel Studios have ever produced but there was SO MUCH drama! The Peter / MJ stuff was BRUTAL! I was certain that the film would have a reunion between the two when Zendaya was confirmed to reprise her role as MJ, but we got no such thing. She just readily ditched him, and the possession scene was more surprising and felt more unsettling than even that awesome Vulture reveal in the car in Homecoming! it looks as though moving forward, Peter and MJ really are done as a couple. Bring on Gwen Stacy, Felicia Hardy, and maybe even Carlie Cooper! There are plenty of comics to pull from!
I could have done with more Savage Huk, but what we got was SO good! Seeing Yelena Belova was a very pleasant surprise, and she continues to move up on my “Favorite MCU Characters” list! She is great in everything that she is in and the pool scene with Peter where he gets in the pool with her in his undies but keeps on his mask, was very funny.
I also thought that Tom Holland was as funny as he’s ever been in these MCU films! He really captured that banter that the Spider-Man comics are so known for, and that, combined with his remarkable sincerity makes him for me, the quintessential Spider-Man! I think No Way Home was better than Brand New Day as an overall film, but this was Tom Holland’s BEST performance as Peter Parker / Spider-Man!
With all of that being said, I think my favorite part of this movie was Jon Berntha’s Frank Castle / The Punisher. To their credit, Marvel Studios did not neuter Bernthal’s Punisher as I feared they might inn order to get that PG-13 rating. The character itself still cussed and still utilized powerful and dangerous weapons and still didn’t give a damn about the laws of the land. Bernthal and Holland had tremendous chemistry in their scenes together, and seeing The Punisher team-up with Spider-Man against The Hulk is the type of thing that has made this Universe so captivating since 2008! In a fun bit of trivia, Berthal and Holland helped each other out on their respective auditions for the Marvel Cinematic Universe roles that they ultimately were cast for.
Sadie Sink was also really great in this film! I loved the mystery of her character and the ways her powers were displayed. She was cruel and frightening at first and later sympathetic and relatable. I’m really not sure how she, being a mutant, will fit into the current MCU continuity, nor how Marvel Studios will explain her story. I mean, she was born on Earth-616 apparently and manifested her powers on Earth-616. That makes her a 616-mutant, which we’ve really only seen with Namor in Black Panther: Wakanda Forever, Kamala Khan in Ms. Marvel, and the Multiverse-traveling Wade Wilson in Deadpool and Wolverine when he visited Earth-616 from Earth 10005 to meet with Happy Hogan about becoming an Avenger. Time will tell, I suppose, but I’m certainly excited about the potential!
As for the post-credits scene, not my favorite, but I do appreciate the ambiguity of it all. Is the “Spidey Tracker” app actually reading the presence of a Multiversal Spider-Man and teasing an Incursion? I guess we will have to wait and see!
This is easily one of my favorite Spider-Man films of all-time. I think it’s better than any of the Tobey Maguire / Andrew Garfield movies and in the MCU 616-Universe, second only to No Way Home. The MCU has had some really solid entries of late, Thunderbolts*, The Fantastic Four: First Steps, and Daredevil: Born Again among them. While it would certainly enhance your experience if you have seen the other MCU Spider-Man films, I really don’t think it’s necessary to enjoy this movie. Peter Parker’s past is alluded to in the film, but those things are laid out in an easy-to-understand way that doesn’t require homework. If you’re a Tom Holland fan, this is a must-see, as again, it’s his best performance as Peter Parker to date. If you are simply a Spider-Man fan, this is a must-see, as it is a love letter to the character and the comics. On top of that, if you have complicated family issues or have suffered loss, this movie will touch you in some very personal ways. Even the heartbreaking stuff is something most of us can relate to. I loved this movie; its depth and its beauty. and its ties to the wider MCU. I laughed. I cried. I cheered. What more can one ask for in a motion picture?!?
On a very personal note, I had the privilege of watching this movie in the theater with both my son and daughter. We had popcorn and soda and delighted in a two-and-a-half-hour escape from the complex troubles of the world. My daughter is obsessed with Spider-Man and she adores Tom Holland, but she was so young when previous movies came out that she’d never really had this kind of an experience, and I felt so very lucky to experience it with her! My son has also been a lifelong Spider-Man film, and I really enjoyed getting out to the theater with him and his girlfriend and basking in the glory that is the Marvel Cinematic Universe after a year-long MCU theatrical drought following The Fantastic Four: First Steps last Summer!
Up next is Avengers: Doomsday in December and I cannot wait!
Marvel Studios / Sony Pictures
Highlights of Spider-Man: Brand New Day:
Jon Bernthal as Frank Castle / The Punisher
Tom Holland as Peter Parker / Spider-Man
Sadie Sink as Jean Grey
Florence Ough as Yelena Belova
Chemistry between Tom Holland and Jon Bernthal
Jacob Battalon as Ned
Zendaya as MJ
Mark Ruffalo as Bruce Banner / The Hulk
Spidder-Man vs The Hulk!
The Hulk vs The Punisher!
Unhinged Spider-Man!
Savage Hulk!
MJ Possessed by Jean
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